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  1.  50
    Quine on identity and names.W. Stephen Croddy - 1976 - Erkenntnis 10 (1):99 - 101.
    I am concerned with two theses of quine's which pertain to identity statements and names. My purpose is to prove that they are inconsistent, I.E., That not both can be true. The two theses are: (q1) (=a) can be treated as a simple predicate, And (q2) any statement of the form (a=a) is logically true.
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  2. Do descriptions have meaning.W. Stephen Croddy - 1979 - Logique Et Analyse 22 (85):23.
     
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  3.  1
    Explaining Modernism.W. Stephen Croddy - 1998 - The Paideia Archive: Twentieth World Congress of Philosophy 1:27-34.
    Modernism in the arts commenced during the second half of the 19th century and extended into most of the 20th. A significant feature of this period is that each type of art gave principal attention to dimensions of itself. This was a type of self-analysis. I consider those art forms consisting of an image on a flat two-dimensional surface. I give particular attention to painting, a familiar example of this type of image. Explanations of Modernism are philosophically relevant not only (...)
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  4. Quine Against Essentialism and Quantified Modal Logic.W. Stephen Croddy - 1988 - Logique Et Analyse 31 (123-124):317-328.
  5.  30
    Reparsing and essentialism.W. Stephen Croddy - 1987 - Philosophia 17 (1):1-12.
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    The Epistemology of Analytic Cubism.W. Stephen Croddy - 1999 - Filozofski Vestnik 20 (S2).
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  7.  16
    The Semiotic Anaysis of Analytic Cubism.W. Stephen Croddy - 2001 - American Journal of Semiotics 17 (3):245-253.
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  8.  52
    Using Descriptions Referentially.W. Stephen Croddy - 1984 - Philosophical Inquiry 6 (2):111-118.
  9.  21
    Book reviews. [REVIEW]Timo Airaksinen, Stewart Shapiro & W. Stephen Croddy - 1984 - Philosophia 14 (3-4):427-467.
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